From standard character roto to the most complex hair details and crowd, iGene is efficient with handling various techniques to trace over footage, frame by frame, for realistic action.
iGene can simplify the compositor’s job very easily by covering the extreme motion blur of a moving object. For more flexibility, we provide alpha mattes, channel renders and spline files, all with the proper naming structure as per the client.
We are able to convert 2D theatrical content into steroscopic 3D imagery, providing broken out roto for the characters, as well as background objects separately. Our strength is the ability to deliver high volumes of quality rotos.
iGene can provide precise roto mattes for 360° virtual reality content seamlessly stitched in mono or Stereo.
iGene can provide various techniques of matte extraction in roto and keying to produce clean and precise alpha mattes.
Our determined and conscientious team work precisely with care and quality for all kind of paint needs such as: Marker removal, Rig removal, painting out unwanted elements paint out, entire character removal, element recreation and all your basic prep. needs.
We have the diverse talent pool of stereo paint artists needed to generate high quality clean plates and sequential paint work to meet up the Stereographer’s standards.
Our efficient team can clean up all kinds of artifacts and are capable of handling high resolution VR footage.
We have a robust team of tracking experts, who can handle tools meticulously to solve the complex movement of any camera or object in a shot. Also the team can solve the track even if the camera and lens details are not available.
The dedicated Roto artists can easily give solutions for scenes with high complex character animation.
Our layout artists can comfortably meet client expectations within tight deadlines. They use storyboards to understand the concept of a scene and set up cinematic camera moves working closely under Creative Direction.
De-aging specialists bring back the age of an actor or actress to a much younger version of themselves, using various production techniques. Proficient enough to work on digital or beauty fixing in feature film and television series.
Creating Matte-paintings and green screen set extensions in a photo realistic look, our matte paint artists are highly skilled in creating painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment not present in camera.
Our creative team of 2D compositors can merge multiple layers from separate sources into single images to create an illusion that all those elements are parts of the same scene by matching the color, lighting and depth of focus to beautify the shot.
Our versatile Special FX experts are able meet at the client expecation by creating pyrodynamic techniques like Fire, Smoke, Wind, Rain, Fog, Snow, etc etc...
It’s increasingly important for our customers to be able to work remotely with multiple facilities and freelancers, not just in the next city but even across the globe. Baselight 5.0 brings a completely new approach to remote grading by allowing other sites with a Baselight system to view our scene whilst we are working on it. Our clients and colleagues can browse the scene on their own, or we can sync with them as we work, adding grades and other creative touches to the shots. Any changes we make are instantly reflected on the systems and we can to hand the controls over to a remote user to add comments or annotations to the scene - it’s a simple operation to pass the baton over, and to take it back again Whilst video conferencing allows you to connect with our team for live feedback and discussion.
Our DI facilities are SSL security approved.
iGene is proud of our professional Digital Intermediate (DI) facilities, which are equipped with the highest level of industry technology Baselight –Two, for all our client needs. Our colorists work with elaborate palettes to enhance the look designed by the Director of Photography. Our world-class team, are industry renowned technicians, that serve quality conscious cinematographers.
The interior of the Di suite is made with non-reflective materials, to emulates a cinema theatre experience. The facility is secured with access control systems and clear, restrictive access policies to ensure project confidentiality.
To respond to the highly specialized needs of post production houses, our iGENE DI suite is equipped with the First DP4K-P projector in Asia capable of displaying 35 trillion colors which gives a huge workspace to work it has a dedicated 4K (4 x 3 GB/s) input board, which enables playback of native 4K content. It also has a wide color gamut filter for accurate color matching. The high-contrast DP4K-P lens displays images with improved contrast.